Description
Beneath the tranquil surface, a hidden coastal world comes alive in this evocative oil painting. Graceful strands of seaweed sway with the gentle rhythm of the current, while sunlight filters through the water above, casting shimmering patterns across the marsh grasses below. Rich layers inviting the viewer into an immersive underwater perspective rarely seen. The painting captures the quiet beauty and delicate balance of a thriving marsh ecosystem, celebrating the serene connection between land, water, and light.
Alan is a graduate of the Art Institute of Pittsburgh. He has worked in the art and advertising profession most of his life and his work has been recognized for excellence in art contests and in the Addy awards. He grew up in Pittsburgh PA, lived in Shreveport LA for many years before moving to South Florida in 1984. Alan now devotes all his time to his painting and currently works in acrylics and oil, but his technique and style continues to evolve.
In Nov. 2013 Alan entered the International Polo Club of Palm Beach 2014 Commemorative Poster Competition. His winning entry entitled ‘Polo Rumble’ gives a unique impressionistic view of polo. This international recognition has motivated him to add more equestrian works to his portfolio.
Alan’s work has been shown in several galleries, Artist’s Faire Fine Art, Tarpon Springs, FL and St Pete Art Works, St Petersburg, FL. Also his work has been shown at two galleries in South Carolina. Spencer’s Gallery in Charleston and Thibault Gallery in Beaufort.
Alan has made several humanitarian trips to third world countries. Twice to Haiti, before and after the earthquake. And a visit to the impoverished areas of Jamaica, and physically helped a team build a house for a destitute family in one day.
Painting exclusively in slow drying oil paints, has given Alan a world of opportunities to experiment with textures, brush strokes, brush smears, zig zag lines, score marks, even scraping off the entire initial painting which leaves the canvas stained with the blurred image that he now repaints with more freedom, boldness and calculated brush strokes.
Movement and insightful cropping have become a trademark of some of his work. Instead of painting the entire scene, he can focus tightly on a key detail or decisive moment to create impact while using a pallet knife and brush strokes, spatters and drips to generate the action. A painting of a single wave, the viewer can almost hear the roar of the ocean. There is a vibration to the paintings that seem to engage the other senses. Alan’s work, like musical overtones, rings clear and clean and energies the soul of the viewer.
Alan says, ‘I want to be known for my technique and experimental brush work rather than a certain subject matter.’ He considers himself an impressionist, but is still open to realistic and abstract painting. He considers it a way to keep his talent honed into new challenges in paintings. Painting should be fun, but not haphazard.
To see more of Alan’s work go to Fine Art America
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